Page 30 - EXPOTIME!Sept2017
P. 30

Museums in Eastern Europe                                                                                               Museums in Eastern Europe



        futile  struggle  for recognition  and  respect.  The  whole   the officer’s back, but malfunctions. It kills the self-con-
        ground of his being is undermined by those who will not   demned officer.  11
        acknowledge his task or his right to be in the village. K.
        seeks companionship (shacking up for  a time with a    Metamorphosis: “When Gregor Samsa awoke one morn-
        woman who has a connection to the Castle authority)    ing from uneasy dreams, he found himself transformed
        but cannot stand the company of his assistants, to whom   in his bed into a gigantic insect. He was laying on his
        he can be unkind." 10                                  hard, as it were armor-plated, back and when he lifted
                                                               his head a little he could see his domelike brown belly
        In the Penal Colony: “In the Penal Colony"is an impor-  divided into stiff arched segments on top of which the
        tant short story by Franz Kafka written in October 1914.   bed quilt could hardly keep in position and was about to
        It was first published in 1919. In the story, an anthropol-  slide off completely. His numerous legs, which were pit-
        ogist    visits  a  penal  colony,  where  an  officer  demon-  ifully thin compared to the rest of his bulk, waved help-
        strates to him the harrow, an instrument used in capital   lessly before his eyes.”  12
        punishment. The machine was conceived and developed
        by the former Commandant. The harrow is a deadly, ex-  This is the most famous paragraph in Kafka‘s work and the
        traordinarily elegant tattooing instrument: the con-   begin of his best-known story “The Metamorphosis"(1915).
        demned man lies face-down on a bed, while a complex    Gregor Samsa had to discover that he has inexplicably
        system of needles writes the broken commandment on     metamorphosed into a giant dung beetle. Gregor strug-
        his back. The needles pierce deeper and deeper until   gles to coordinate the new facets of his insect body.
        the prisoner dies. In the process of dying, however, the   Gregor is a traveling salesman who lives with his parents
        condemned man finally "understands"the nature of jus-  and younger sister inside a modest apartment, for which
        tice and his punishment. The officer begins to demon-  Gregor’s salary is needed to pay the bills. Gregor has nev-
        strate the harrow on a prisoner condemned to die be-   er been satisfied by his work, but he is burdened not only
        cause he was sleeping on duty. It soon becomes clear   with the reposibility of rent and household bills, but also
        that the explorer does not approve of the death-machine   with the difficult task of paying his parents’ debts, accu-
        and that he feels morally bound to express this disap-  mulated through a collapse of his father’s business.  13
        proval to the new Commander, who is already known to   The Trial: Written in 1914 and published posthumously
        have serious questions about  using the  harrow as a   in 1925, “The Trial"is one of the most important novels
        method  of  punishment.  Suddenly,  the  officer  removes   of the 20th cent. The Trial tells the story of a man ar-
        the condemned man from the torture bed and takes his   rested and prosecuted by a remote, inaccessible author-
        place.  Before  doing so,  he  adjusts the  machine  to in-  ity, with the nature of his crime not revealed to him or
        scribe “BE JUST."The  harrow begins its grisly work  on   to the reader. This  dissuasive tale can also be read as a







































        This artistic video is shown in the Kafka museum. Enjoy!


                                                           30
                                         EXPOTIME!, issue August/September 2017
   25   26   27   28   29   30   31   32   33   34   35