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Museums of the Mediterranean





























































        romance as we understand it today. Many alliances, the   patient research and some luck their true origin are be-
        fruit of painstaking transactions were often brought to   ing revealed. Recently the portrait of a little princess
        a quick end because of the illnesses and accidents so   Inv. (No. 11), long thought to be of Spanish origin and
        frequent at the time.                                  which for many years had been attributed to  Carreño
                                                               de Miranda was found to be one of a pair; her pair —the
        These obvious and complex family relationships between   portrait of Sigismund Casimir of Poland— happens to be
        the different royal houses may to a large extent be iden-  part of the Portrait Gallery of the Castle of Ambras in
        tified in the paintings of this collection. The portraits   Innsbruck, original seat of the Habsburg family, allowing
        of these little Princes, whose life seems invested with   us thus to reject the Spanish attribution. The Polish ori-
        the quality and mystery of legend, survive today as true   gin of the Princess is now confirmed and our researches
        testimony of their time, translated and reconstructed by   have allowed us to identified the author as the Dutch
        the vision of the artist. They lead us into an inscrutable   painter Pieter, Peeter, or Peter Danckerts de Rij, Dank-
        world, a world which moves us and which seems the an-  ers de Ry, or Peteris Dankersas, born in Amsterdam in
        tithesis of our contemporary preoccupations. The gaze   1605, who died 9 August of 1661. It is actually the por-
        of each one of these “Child-Kings” facing their destiny,   trait of the daughter of King Ladislao IV of Poland and his
        (before being dragged along by events over which they   mistress Jadwiga Łuszkowska.
        would have little control) seems to ask us profound and
        earnest questions.                                     Recently a magnificent portrait of a member of the Bar-
                                                               berini  family  previously  attributed  to Tiberio Titi,  has
        The authorship of some of these portraits and the iden-  been recognised as being one of the last portraits paint-
        tities of some of the sitters still remain unknown. With   ed by the great Ottavio Leoni.

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                                        EXPOTIME!, issue October / November 2017
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