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                           Anette Rein

                           Commnunicating the museum, part II:

                           A “Communicating the museum" conference

                           (Berlin, July 12-15, 2016)







        Within two weeks, two international conferences about   fered  by  a  commercial  agency  with  their  own  specific
        museums as important cultural institutions happened in   rates. The General Conference was characterised, on the
        July 2016. The first one was the General Conference of   one hand, through some common meetings of all partici-
        the International Council of Museums (ICOM), which had   pants in the mornings, listening to five official keynote
        its 24  conference together with the celebration of the   speakers, and during the receptions in the evenings. On
             th
        70  birthday in Milan, Italy July 3-July 9, 2016. This con-  the other hand, the conference time was divided in many
          th
        ference was already reviewed for EXPOTIME! in Decem-   different meetings in different places between the par-
        ber/January 2016/17 as part I of the comparison.   The   ticipants of the administrative discussions, the meetings
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        second conference “Communicating the museum" (CTM),    of the international committees, and through various ex-
        organized by a commercial agency for cultural communi-  cursions visiting Italian cultural highlights.
        cations, situated in Paris (founded in 1995  ), happened
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        in Berlin for the 16  time July 12-July 15, 2016.      As the ICOM conferences, the CTM conferences are or-
                         th
                                                               ganized in  different  cities, but  annually. In  2016, the
        In this review, I will concentrate on comparing the differ-  German capital Berlin, as a cultural landscape rife with
        ent ways of the two conferences concerning methods of   art  and innovation,  and  with  its many  refugees living
        communicating a museum. The same three questions will   there since 2015, was choosen as the place to be, with
        be the frame of my second article too:                 the  suitable  topic  “Dialogue”.    Contrary  to the  ICOM
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                                                               General Conference, the conference in Berlin was of-
        •       Who are the different target groups of the two   fered by an independent, commercial agency. No mem-
        associations which  are  framing their different  ways of   bership was the criterion for participation. Everybody,
        mediating museum contents?                             who could pay the conference fees (about 1.080 US$),
        •       How did the process of communicating with the   was free to participate.
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        media on an international level?
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        •       Which  ‘key  learnings’  from  both  conferences   Whereas ICOM concentrated on internal topics, the view
        could the participants take home – or rather ‘hidden   of  the  CTM  conference was  a comparing one, as the
        messages’?                                             founder of the agency Agenda, Corinne Estrada comment-
                                                               ed: “It’s about learning from outside, copy from what
        The target groups                                      people do successfully in other industries”.  This impli-
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                                                               cates that  museums are unable  to develop criteria  for
        In the ICOM general conference which happens every     their own development while other "industries" are the
        three years, all participants were members of this asso-  pacemakers of the future. One such discussion centered
        ciation or working together with museums closely. This   on the "Multaka" project of five Berlin museums. Arab na-
        general  conference  concentrated  on  issues  concerning   tive speaking trained guides facilitate visits for refugees
        their museum work, on the birthday of the association   from Arab speaking countries, to nurture connections be-
        (exhibition), on the new logo, and on important adminis-  tween Germany’s history and cultural heritage and their
        trative topics of the international association ICOM (like   own. A good example of inter- and transdisciplinary mode
        the election of the new president). According to the offi-  to initiate a cross-cultural engagement through commu-
        cial numbers, 3,433 members out of 129 countries and   nicative structures with different museums.
        territories participated in Milan. Within the conference
        space, there was a museum fair, in which companies pre-  In  Berlin,  about  200  participants from  27  countries
        sented their products. This was the transparent commer-  (mainly from Europe and USA) were counted, including
        cial aspect of the ICOM conference. The conference fee   the 50 invited local and international speakers. The main
        for members was between 350,00 € and 550,00 €, for     conference  place  happened in  the  Schlüterhof (court-
        non-members 450,00 € ‒ 650,00 € for the general confer-  yard) of the Deutsches Historisches Museum (DHM), and
        ence.   The participation in pre- and post-conference   in different places within the museum ‒ as for the fund-
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        tours, were organised by the 30 participating internation-  raising day and the workshops on July 14, 2016.
        al committees (out of 119 national committees), or of-

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